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V2VKreative Arbeit und Urheberrecht - 17:30 Uhr Kunst und ihre technische Reproduktion
Die Tagung ist eine Kooperation von HMKV und iRights.info *** 17:45 Kunst und ihre technische Reproduktion // Diskussion mit Die Künstlerin malt. Das Museum kauf an. Der Fotograf reproduziert. Die Agentur vermarktet. Die Verwertungsgesellschaft verwertet. So weit so einfach. Aber wie werden die Erlöse aufgeteilt und wie verändern sich die Verhältnisse durch die Digitalisierung der Medienwelt? Die Umsätze auf dem Kunstmarkt entwickeln sich positiv, wie die Enquete-Kommission Kultur des Deutschen Bundestages feststellte. Kreative Arbeit und Urheberrecht - 15.30 Uhr Wer bezahlt Kreativität?
Die Tagung ist eine Kooperation von HMKV und iRights.info *** 15:30 Wer bezahlt Kreativität? // Diskussion mit Paul Keller, Senior-Projektleiter Creative Commons Niederlande & Vorstandsmitglied iCommons, Amsterdam und Peter Grafe, Referatsleiter K16 Kulturwirtschaft im BKM (Der Beauftragte der Bundesregierung für Kultur und Medien), Bonn, sowie Meike Richter, Kulturwissenschaftlerin, Dozentin, Kuratorin und freie Journalistin überwiegend für den NDR, Hamburg und Martin Juhls, Musiker, Kulturmanagement, sternschaltung, Dortmund. Moderiert vion Matthias Spielkamp, iRights.info. *** Kreative arbeiten in aller Regel freischaffend. Das Panel erkundet, wo sie Abnehmer und Förderer für ihre Werke finden. Wie sieht es tatsächlich aus in der Kultur- und Kreativwirtschaft, die von der Politik als Wachstumsmotor gesehen und besonders gefördert wird? Kreative Arbeit und Urheberrecht - 13:45 Uhr Einkommensverhältnisse von Kreativen
Die Tagung ist eine Kooperation von HMKV und iRights.info *** 13:45 Einkommensverhältnisse von Kreativen - Vortrag von Prof. Dr. Martin Kretschmer, Lehrstuhl für Informationsrecht & Direktor des Centre for Intellectual Property Policy & Management, Bournemouth University und Moderation von Dr. Volker Grassmuck, iRights.info *** Martin Kretschmer und Philip Hardwick haben die erste umfassende empirische Studie zum Einkommen von Autoren aus Urheberrechten vorgelegt. Dazu haben sie 25.000 britische und deutsche Autoren befragt und Daten von Verwertungsgesellschaften, Künstlersozialkasse, Einkommenssteuer und Arbeitsämtern ausgewertet. Das Ergebnis: Die Einnahmen von Autoren liegen deutlich unter dem gemittelten nationalen Lohnniveau. Wenige Stars erzielen einen überproportionalen Anteil daraus. Zoom - Shaina Anand
ZOOM begins with a popular film from the 1970's that was said to define the "look of the 20th Century". We wonder about the powers of then, and the powers of now. The look acts at collapsable distances, and varying focal lengths. The captured subjects will not know whose eyes their bodies will receive, (even though they will imagine it), in which galaxies their images will wander, in blackholes of memory or as data-stamps of unique flesh. At various levels of X, equations emerge, governing the relationship between the subject/ actor and the explicit or phantasmic, but always-powerful "viewer". We take a closer look at some of these ratios and their registers of violence: in visual anthropology, CCTV, iris scans and more. War and Multitude - Ali Akay
Leaving behind the 20th century, the 21st century has appeared with two directions. On the one hand, a hope for the world with more freedom after the fall of the Berlin Wall; on the other hand, the hegemony of capital which has been named ‘Empire’ is as the imperial system based on the military operations and the occupations over multitude. A reaction has been created by the opponents which are called and conceptualized as ‘Multitude’ in a sensibility which has occurred not only with the former leftist anarcho-gochist groups but also with an ecological market rethinks a multi-dynamics ecological world and unites with multitude. These multi-dynamics come out as the players of today’s dictionary of war. Waiting - Brett Neilson
War is mostly about waiting. In strategy there is delay. In fear there is hesitation. In engagement there is exit. Languor, boredom, nullity: waiting around for orders, mobilization or attack. Capture and detention, setbacks and impediments, quagmires and fog: in all there is a tendency to confusion and deferral. Far from the politics of decision and the friend/enemy divide, waiting reminds us of all that is uncertain or undecidable in war. And if, by other means, war is politics, it signals the importance, perhaps the virtue, of patience in political life. Waiting, in other words, is a register of all that cannot be won or lost in war. Above all, it is a tonality of experience triggered by a sense of finitude, by the expectation that war will end. But what becomes of this expectation when war becomes permanent, perpetual or infinite? In a war without limits of time or place, what is the sense of waiting? Vacuity, topo, deception, detour, bunker - Ti-Nan Chi
Subtle! Subtle! It approaches the formless. ─ Sun Tze, Art of War, 500 BC Micro-urbanism came out of a shifting paradigm of city and philosophy, which suggests there are internal realities to be investigated in order to describe how things interact and coordinate in the micro-scale realm, and which manifest the true spirit of a city and its people. Architects not only need to work within these inner systems but also to forge tactics in the micro-zones, in order to propel the self-healing potential that has been forgotten and dumped in the cultural politics of design. Piracy - Tilman Baumgärtel
This paper looks at the phenomenon of media piracy on the internet and in real space. As I live in the Philippines, I will focus on the piracy here, but my remarks will not be limited to the local situation. I will look at the phenomenon of piracy as such and try and outline some observations about how piracy works. First of all, I will look at piracy as a means of distributing films, and - drawing on interviews with some traders of pirated media material - on how the piracy market functions in the Philippines. I will also discuss the effect that the access to quality films has on the local film culture and media literacy in general and on the teaching of film in particular. Then I will discuss the unprecedented rise of media piracy in the last couple of years as one of the most prominent issues of the "digital millennium". The "Pirates of the New World Image Order" (Patricia R. Loyalty - Sam de Silva
The tactic of killing in the name of loyalty places the non-fighter, the peacemaker - the journalist, the ordinary person - in to the war and the zone of fire. The Tamil Tigers, a militant group, branded terrorists by the US, Europe and Canada, has a track record of killing people from their own ethnicity, who challenge their strategy. Journalists who write critically against the Government or contribute to "demoralising" the army are attacked, disappeared and killed. The concept of "loyalty" will be explored through the Sri Lankan experience, a bloody war over land and power has been waging for over 25 years. Are you with us or against us Insulation - Ashok Sukumaran
Insulation is the silent twin of "mediation". When visible, insulation provides an image in outline, of the symbolic order: shapes that tell the story of distribution, mark the boundaries of commodities, their flows, and provide a surface for continuous conflict... a Wall across which to imagine and produce an outside, and an interior. |
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