http://tmsp.org/ this is the V2V video syndication newsfeed for the distribution of high resolution video material through P2P-networks V2V video syndication network V2V This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anja, Tautvydas and Sören - participants of the Youth Organizing Institute 2008 in Kragujevac - talking about the situation in the countries they live in concerning similar and different kinds of discrimination in society. Besides that they inform about their approaches to research on these topics and how they organize themselves in the struggle for another society. http://www.youthorganizing.net The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website. 3 2008-07-30T15:02+00:00 en 2008 Youthorganizing Net zoki@youthorganizing.net http://www.youthorganizing.net 32089103 00:08:30.400 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/3F4W5ZR42YH6YMVLN4HELTDQRBFQKQYE http://tmsp.org/files/tmsp/torrents/YOI2008_3.torrent ed2k://|file|YOI2008_3.ogg|32089103|43de2615396070f559828262a079f623| magnet:?dn=YOI2008_3.ogg&xt=urn%3Asha1%3A3F4W5ZR42YH6YMVLN4HELTDQRBFQKQYE This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Paula, Olga, Tamara and Vitalie have been participants of the Youth Organizing Institute 2008 in Kragujevac (Serbia). In the following interviews they will talk about their experiences on types of discrimination such as racism and homophobia in their regions and what they are doing to reach a change of the situation there. http://www.youthorganizing.net The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website. 2 2008-07-30T15:01+00:00 en 2008 Youthorganizing Net zoki@youthorganizing.net http://www.youthorganizing.net 26217602 00:08:09.360 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/RMXEGLIBMQVA7M433FHWQPBQSXTZHOQ7 magnet:?dn=YOI2008_2.ogg&xt=urn%3Asha1%3ARMXEGLIBMQVA7M433FHWQPBQSXTZHOQ7 http://tmsp.org/files/tmsp/torrents/YOI2008_2.torrent ed2k://|file|YOI2008_2.ogg|26217602|930d8d8462938d9a7b5902621224d566| This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Paula, Olga, Tamara and Vitalie have been participants of the Youth Organizing Institute 2008 in Kragujevac (Serbia). In the following interviews they will talk about their experiences on types of discrimination such as racism and homophobia in their regions and what they are doing to reach a change of the situation there. http://www.youthorganizing.net The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website. 2 2008-07-29T20:26+00:00 en 2008 Youthorganizing Net zoki@youthorganizing.net http://www.youthorganizing.net 26217602 00:08:09.360 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/JY6K3Z5CTGZMP3S3CPWZRTRUAA2LNTWQ ed2k://|file|YOI2008_1.ogg|65937475|02f72581a1e8420bd2c4fbea1f2dcc1f| magnet:?dn=YOI2008_2.ogg&xt=urn%3Asha1%3AJY6K3Z5CTGZMP3S3CPWZRTRUAA2LNTWQ http://tmsp.org/files/tmsp/torrents/YOI2008_2.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Interviews über die Lebensverhältnisse von Flüchtlingen in Frankfurt(Oder) und Eisenhüttenstadt (en/pl/fr/de - subtitle here: http://www.global-progress.org ) Benedikt und Rachel sind Flüchtlinge aus Frankfurt (Oder) und Eisenhüttenstadt, die in der Hoffnung auf ein besseres Leben in die BRD kamen. Beide mussten feststellen, was es heißen kann, hier ein Flüchtling zu sein. Sie berichten von ihren Erfahrungen mit den Behörden, von ihren Lebensbedingungen im Asylbewerberheim und von ihrem Alltag in den Städten. Im Film sprechen auch Frankfurter_innen über ihre Sichtweise auf die Situation von Flüchtlingen und berichten von einem Rassismus auf verschiedenen Ebenen. Außerdem kommt ein Anwalt zu Wort und klärt über die rechtlichen Grundlagen des Asylverfahrens auf. 2008-07-01T17:41+00:00 de 2008 Gruppe Progress progress-ffo@web.de http://www.global-progress.org 110966865 00:33:37.924 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/JMWNPLKMWIHY43Q4USK2GQR5D6OMWP26 ed2k://|file|Progress.ogg|110966865|487de019a95be62817faaedc067b565a| magnet:?dn=Progress.ogg&xt=urn%3Asha1%3AJMWNPLKMWIHY43Q4USK2GQR5D6OMWP26 http://tmsp.org/files/tmsp/torrents/Progress.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "digital handcraft" is an educational film, a portrait of the process of computer hardware production. It displays the organisation of production in global value chains and investigates the conditions of life and labour for millions of migrant worker in China's factories, which manufacture the hardware for the immaterial production of the 21st century. This film takes a look at the flipside of globalised computer production, which is incongruous with the "clean" image the industry usually displays. By interviewing both activists and workers, the film investigates the current situation as well as future possibilities for improving their situation. Furthermore, the film looks at issues surrounding the illegal shipping of computer scrap parts from Germany to developing countries.  http://www.pcglobal.org China's global factory for computers 2008-06-19T23:02+00:00 en 2008 by Alexandra Weltz, co-author Sarah Bormann http://www.parkafilm.cc 116792307 00:27:58.840 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/73KQGCVCFRTE2Q2GISOPX3WZKO224D7O ed2k://|file|digital_handcraft.ogg|116792307|1d8e59bac3fb9d29f2e88d89856b3555| magnet:?dn=digital_handcraft.ogg&xt=urn%3Asha1%3A73KQGCVCFRTE2Q2GISOPX3WZKO224D7O http://tmsp.org/files/tmsp/torrents/digital_handcraft.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen. 2008-06-07T18:42+00:00 de 2008 Kein.TV info@dichtmachen.org http://www.dichtmachen.org 18073643 00:03:22.280 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/7WLOWHF5XZFB2BHCENTACZ7BQGFCNLCI http://tmsp.org/files/tmsp/torrents/Reichelt_Streik_06062008_0c.torrent magnet:?dn=Reichelt_Streik_06062008_0c.ogg&xt=urn%3Asha1%3A7WLOWHF5XZFB2BHCENTACZ7BQGFCNLCI ed2k://|file|Reichelt_Streik_06062008_0c.ogg|18073643|b3bab2d73759e9f921fb9cd9bd318ae0| This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen. 2008-06-07T18:36+00:00 de 2008 Kein.TV info@dichtmachen.org http://www.dichtmachen.org 13236920 00:03:12.000 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/FAJCD5G3W4SP4H27KFGA6JDTPBMIWXFS http://tmsp.org/files/tmsp/torrents/Reichelt_Streik_06062008_0b.torrent ed2k://|file|Reichelt_Streik_06062008_0b.ogg|13236920|6c7fd4cbdb0bce630dcf839f0207b9a3| magnet:?dn=Reichelt_Streik_06062008_0b.ogg&xt=urn%3Asha1%3AFAJCD5G3W4SP4H27KFGA6JDTPBMIWXFS This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen. 2008-06-06T23:02+00:00 de 2008 Kein.TV info@dichtmachen.org http://www.dichtmachen.org 13236920 00:03:12.000 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/IKJDLFJIWIUPQYHOWYBBOMZM4MQESIKY magnet:?dn=Reichelt_Streik_2.ogg&xt=urn%3Asha1%3AIKJDLFJIWIUPQYHOWYBBOMZM4MQESIKY http://tmsp.org/files/tmsp/torrents/Reichelt_Streik_2.torrent ed2k://|file|Reichelt_Streik_06062008_0a.ogg|7639058|04e54f40e713325a2abc0756de35e20f| This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/3.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. teil 5 2008-05-14T03:32+00:00 de 2008 erpe rene@so36.net http://einstellung.so36.net 16050864 00:05:42.400 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/JCLFJ63JGDT37P2Q2F4ADIQGFTQLEHFH ed2k://|file|05-low.ogg|16050864|2eaab3dcfd2190ce0e5e4b66c33bd3f2| magnet:?dn=05-low.ogg&xt=urn%3Asha1%3AJCLFJ63JGDT37P2Q2F4ADIQGFTQLEHFH http://tmsp.org/files/tmsp/torrents/05-low.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. teil 4 2008-05-14T03:23+00:00 de 2008 erpe rene@so36.net http://einstellung.so36.net 18625792 00:07:11.800 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/I35XTQMZUZBUA524MT64A6TV65CGKDLH ed2k://|file|04-low.ogg|18625792|ab5c7688523030364770b9e2ec6f37f0| magnet:?dn=04-low.ogg&xt=urn%3Asha1%3AI35XTQMZUZBUA524MT64A6TV65CGKDLH http://tmsp.org/files/tmsp/torrents/04-low.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. teil 3 2008-05-14T03:17+00:00 de 2008 erpe rene@so36.net http://einstellung.so36.net 18760454 00:08:39.560 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/CN673SOCEWZZJHLLVA2QTRZQD2TJQZWY ed2k://|file|03-low.ogg|18760454|4e0e62f65cbb0ac8f583dff8fa750e9e| magnet:?dn=03-low.ogg&xt=urn%3Asha1%3ACN673SOCEWZZJHLLVA2QTRZQD2TJQZWY http://tmsp.org/files/tmsp/torrents/03-low.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. pk 2008-05-14T03:08+00:00 en 2008 erpe rene@so36.net http://einstellung.so36.net 21095879 00:09:47.120 Ogg Theora/Vorbis - 384x288/Stereo http://tmsp.org/v2v/show/AR3DVK2ZCIIRGZLNR3OBVLENWDYBYAVI ed2k://|file|02-low.ogg|21095879|81ed0dd75dbbcc0b1b598dadd5d42ee0| magnet:?dn=02-low.ogg&xt=urn%3Asha1%3AAR3DVK2ZCIIRGZLNR3OBVLENWDYBYAVI http://tmsp.org/files/tmsp/torrents/02-low.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren. pk 2008-05-14T02:59+00:00 en 2008 erpe rene@so36.net http://einstellung.so36.net 6917838 Unknown Ogg - http://tmsp.org/v2v/show/UY37T7HRHM6DF4QSSQ6ZEVFFUWXF63H4 ed2k://|file|01-low.ogg|6917838|731e94aed07805c79f11cc01776261aa| magnet:?dn=01-low.ogg&xt=urn%3Asha1%3AUY37T7HRHM6DF4QSSQ6ZEVFFUWXF63H4 http://tmsp.org/files/tmsp/torrents/01-low.ogg.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Kosovar Pavilion Venice Biennial 2005, did not confuse only those who cannot distinguish what is an Albanian and what is a Kosovar pavilion, artist or identity but seemingly also players of the great structure of the ancient contemporary art power elite that eventually accepted apologies by the used instrument of this work (e-flux) for challenging their Biennale with a tool of their own system and continued to live on in harmony as nothing had happened in the West (Sunday, color video, 3.01 min.). These works stand and mark a time and a context that is full of Bang! Bang! (Bang! Bang!, color video, 2.20 min.). 2008-03-20T17:12+00:00 en 2008 DICTIONARY OF WAR info@kein.org http://dictionaryofwar.org/ 32670604 00:16:03 Ogg Theora http://tmsp.org/v2v/show/7YSPTUYZIVM4TVJ4OFQGKZ4O6M4LLL36 ed2k://|file|Bang_Bang_-_Albert_Heta.ogg|32670604|e9f020a9808162a5748966979184372d| magnet:?dn=Bang_Bang_-_Albert_Heta.ogg&xt=urn%3Asha1%3A7YSPTUYZIVM4TVJ4OFQGKZ4O6M4LLL36 http://tmsp.org/files/tmsp/torrents/Bang_Bang_-_Albert_Heta.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. For more than 10 years, Muha writes lyrics that are very much connected with everyday life of the Roma community in Nivi Sad, and turns them into hip-hop songs. In 2007 he made his first professional studio recordings; the album “Crni smo mi” (“We are Black”) was released in July and promoted at the EXIT Festival (MTV Movement campaign). 2008-01-31T13:56+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 52848607 00:15:29 Ogg Theora http://tmsp.org/v2v/show/JNAPMYBDASOTQEXIXKPEGDP7SWMMNLQV ed2k://|file|Without_Title_-_Muha_Blackstazy.ogg|52848607|75b60779905cef38e2a7ee323c69a268| magnet:?dn=Without_Title_-_Muha_Blackstazy.ogg&xt=urn%3Asha1%3AJNAPMYBDASOTQEXIXKPEGDP7SWMMNLQV http://tmsp.org/files/tmsp/torrents/Without_Title_-_Muha_Blackstazy.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. A novel... The last night I slept at home was the night of December 29th, 1991. After that night I have been going to bed and been waking up in many other places, of which at least one I could , with a lifelong engrafted caution, even call my home, but no, never again after that night have I slept at home, I was never at home at all, nor I will ever be at home again, even if I would go back to that place, the place where the home was. The place, actually, still exists: it was not blown up by a grenade, bomb, dinamite or any kind of explosives, God forbid, we are all civilized people, that house, building actually, still lastingly exists in the world, there it is exactly where it has always been, now on the non-existing address... 2008-01-31T13:38+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 21186667 00:14:10 Ogg Theora http://tmsp.org/v2v/show/MZ3CY5PBHQEVVDPM2UX4KKKOWGJBIY2K ed2k://|file|Kljuc_-_Teofil_Pancic.ogg|21186667|ee66245734f7355bf51167cf48ede07a| magnet:?dn=Kljuc_-_Teofil_Pancic.ogg&xt=urn%3Asha1%3AMZ3CY5PBHQEVVDPM2UX4KKKOWGJBIY2K http://tmsp.org/files/tmsp/torrents/Kljuc_-_Teofil_Pancic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. How did these two subjects come together, when it was perfectly clear that we have learned this lesson seven years ago - egzistential problems of the citizens and their families cannot be resolved by resorting to nationalism? The fact that proves that we knew this back then are the citizens who voted for democratic options in 2000 and left nationalist parties without support. Advocating for democratic changes and democratic options secured these parties a 2/3 majority in the parliament - citizens made it possible for the government to start radical changes of the society, without a serious threat of the old regime, and above all to reject the old ways of governance. The government had to change in order to be able to change the others. It couldn't transfer to the others what it did not have in the beginning. Above all, goverment couldn't fight corruption if corruption was in the foundation of its governance, and because of that the most prominent slogans of that time were about the transparency of the government, i.e., the way of governance that allowed citizens to control and waive corruption.
 2008-01-31T13:25+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 21304012 00:14:00 Ogg Theora http://tmsp.org/v2v/show/YL6YNVFFSMQY2LBRYZVU7WOOZVDPCQLD http://tmsp.org/files/tmsp/torrents/Kosovo_i_korupcija-_Verica_Barac.torrent magnet:?dn=Kosovo_i_korupcija-_Verica_Barac.ogg&xt=urn%3Asha1%3AYL6YNVFFSMQY2LBRYZVU7WOOZVDPCQLD ed2k://|file|Kosovo_i_korupcija-_Verica_Barac.ogg|21304012|db91331e35b86f7e6e251f059151c2a7| This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Inscenation of the novel by Ivana Sajko "Rio Bar", which is an intimate history of the war in Croatia  narrated in eight monologs of a certain girl in a wedding dress. In this quoted excerpt, described metamorphosis into a "women-thorn" represents   basis of the concept THORN – practical human nature. 2008-01-31T13:06+00:00 sh 2008 DICTIONARY OF WAR http://dictionaryofwar.org 38943867 00:20:04 Ogg Theora http://tmsp.org/v2v/show/QNBLQ7ZO5D447WIN3XUAEH2L5IXZXLKT ed2k://|file|Thorn_-_Bojan_Djordjev.ogg|38943867|0357c2447c58bdc208b36291850e659a| magnet:?dn=Thorn_-_Bojan_Djordjev.ogg&xt=urn%3Asha1%3AQNBLQ7ZO5D447WIN3XUAEH2L5IXZXLKT http://tmsp.org/files/tmsp/torrents/Thorn_-_Bojan_Djordjev.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Prologue: you are in darkness of a public room in novi sad, serbia. it is the beginning of what is called new millennium. IMAGINE a time line emerging marking origin and development of the law concepts of war, determining destiny of individuals, nowadays we call them civilians. IMAGINE you are looking into the maelstrom of humanity & civilization, detected by a plummet hanged on your mental thread, rolling off down into the depth of times immemorial, two key words you are looking for in the past: war & civilians [12 letters only]. IMAGINE you are in rome It is the year 390 BC, the future eternal city is conquered by the gallic victor brennus romans must deliver gold as set in terms of peace arrangement, they complain that gauls use excessive weights in measuring gold, then brennus added his sword among weights, exclaiming: VAE VICTIS. 2008-01-31T12:47+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 41632685 00:21:09 Ogg Theora http://tmsp.org/v2v/show/3DJEIEEZ4RXBORVKJEMY6HYS5B4BGIPK ed2k://|file|Vae_Victis_-_Slavko_Bogdanovic.ogg|41632685|75124e2f4d4efffaf5d4623886d24a5b| magnet:?dn=Vae_Victis_-_Slavko_Bogdanovic.ogg&xt=urn%3Asha1%3A3DJEIEEZ4RXBORVKJEMY6HYS5B4BGIPK http://tmsp.org/files/tmsp/torrents/Vae_Victis_-_Slavko_Bogdanovic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. NSK Garda refers to the project in which the slovenian art group Irwin collaborates with various European armies. In these actions soldiers, with Malevich's cross on their sleeves, raise and guard the flag of the NSK State in Time. In that sense it is not really a performance but more some sort of tableau vivant of the real army wearing a Malevich cross. Art society and army society are social structures that are usually totally opposite to each other and very rarely mix. With this action Irwin is organizing this encounter. As an art state NSK is in fact in parasitic relation with other, normal states and in this project this is made visible. Dusan Mandic, member of IRWIN, intoduces the recent performance in Kosovo. 2008-01-31T12:21+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 60986122 00:25:07 Ogg Theora http://tmsp.org/v2v/show/VQCW5MGDWVLT53LDWK255OH5Z7DQUZM4 ed2k://|file|NSK_Garda_-_Irwin.ogg|60986122|9b9e3f6be1acdb64d1e9758eae732bb0| magnet:?dn=NSK_Garda_-_Irwin.ogg&xt=urn%3Asha1%3AVQCW5MGDWVLT53LDWK255OH5Z7DQUZM4 http://tmsp.org/files/tmsp/torrents/NSK_Garda_-_Irwin.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The wall that separates 'us' from 'them', friend from enemy, organizes the opposition of imaginations. A conflict (or war) of projections, virtual placeholders, where the enemy is designed as an image that will never actualize. But the consequences of the wall are real; information which would allow us to find out whether our outrageous ideas about others hold any truth, is being managed and reduced to the level of images in emerging ‘zero friction zones’; public space, in every aspect, is being reshaped under the imagined threat from the opposite side of the wall. This lecture will describe the wall as an imaginary piece of architecture and rhetorical device from which it is possible to observe conflicts carried out through images. Those conflicts include well-known rhetorical oppositions like Team B versus the 'Soviet threat', the Neocons versus the Axis of Evil, and European 'Leitkultur' versus radical Islam. This talk will address how many simultaneous oppositions are sustained by the wall and how ultimately the wall even separates 'us' from 'us'. 2008-01-31T03:50+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 29122096 00:17:02 Ogg Theora http://tmsp.org/v2v/show/QP73L32COOOP42VGHLLKIROWMS3HGDUA ed2k://|file|Wall_-_Metahaven.ogg|29122096|dc4ec079639fdc39dbec35bc4cbd18ed| magnet:?dn=Wall_-_Metahaven.ogg&xt=urn%3Asha1%3AQP73L32COOOP42VGHLLKIROWMS3HGDUA http://tmsp.org/files/tmsp/torrents/Wall_-_Metahaven.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Martha Rosler reads from her essay accompanying the re-emergence unchanged of her 1983 videotape A Simple Case for Torture, or How to Sleep at Night, accompanied by a screen saver of images on her computer. 2008-01-31T02:59+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 63635517 00:28:22 Ogg Theora http://tmsp.org/v2v/show/EYUMXZC357XIPOO7YWSV4CLOYHQVI6SW ed2k://|file|Torture_Terror_Tranquility_-_Martha_Rosler.ogg|63635517|1a8ef8f66fe27de07e4c6688a19a61a8| magnet:?dn=Torture_Terror_Tranquility_-_Martha_Rosler.ogg&xt=urn%3Asha1%3AEYUMXZC357XIPOO7YWSV4CLOYHQVI6SW http://tmsp.org/files/tmsp/torrents/Torture_Terror_Tranquility_-_Martha_Rosler.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. In early 1991, when Croatia received the first international recognitions of its statehood, the euphoria was enormous. Such were the paradoxes of the situation. While the third of the country was yet to feel the war casualties, the state television launched a trashy song "Danke Deutschland" as a mark of gratitude to the first state that gave the recognition. The author researches how the phrase Danke Deutschland changed its meaning through the time, what does it mean today in different sets of memory. The concept consists of a video clip and narration. 2008-01-31T02:23+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 57079890 00:31:55 Ogg Theora http://tmsp.org/v2v/show/ZWMDYUZSW4SL773S22PAQFTB4GTZIZLJ ed2k://|file|Thanksgiving_-_Vesan_Kesic.ogg|57079890|f911454ba0b588fb0f001a624e1758ed| magnet:?dn=Thanksgiving_-_Vesan_Kesic.ogg&xt=urn%3Asha1%3AZWMDYUZSW4SL773S22PAQFTB4GTZIZLJ http://tmsp.org/files/tmsp/torrents/Thanksgiving_-_Vesan_Kesic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The term ›terrorism‹ comes from the Latin word terrere, ›to frighten‹ via the French word terrorisme. The first use of the word ›terrorism‹ referred to state rule by terror. It was coined in the years after the French Revolution – the so-called Reign of Terror – and identified terror as an instrument of state power. Therefore, ›terrorism‹ became popular between 1793 and 1795 during the regime de la terreur. It was the French Revolution leader Robespierre who – just shortly before he himself was killed by his ›Madame Guillotine‹ – proclaimed in 1794: »Terror is nothing other than justice, prompt, severe, inflexible; it is therefore an emanation of virtue; it is not so much a special principle as it is a consequence of the general principle of democracy applied to our country's most urgent needs.« ›Terrorism‹ thus refers to state action. In the interim, with the generalization of the bourgeois national state since the eighteenth century, the power of states and of ruling class ideologies have successfully deflected and redefined terrorism as first and foremost an instrument of anti-state power. Generally speaking, the term is meant to de-legitimize any kind of resistance. A 1988 study by the US Army found 109 definitions of ›terrorism‹ that covered a total of 22 different definitional elements. As the only general characteristic generally agreed upon is that ›terrorism‹ involves violence and the threat of violence, many scholars avoid using this term – except those who are interested in using it for political, ideological and economic reasons. Among these more than hundred definitions, not all recognize the possibility of the legitimate use of violence by civilians against an invader in an occupied country or against ›their‹ government, and would thus label all resistance movements as ›terrorist‹ groups. Ultimately, the distinction is a political judgment. The paper will guide us through its controversial meanings. 2008-01-31T02:03+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 48600944 00:26:07 Ogg Theora http://tmsp.org/v2v/show/I2DXHJREN7ASAISSHLRFH5PUSUWW36LJ ed2k://|file|Terrorism_-_Volker_Eick.ogg|48600944|bc63e620945c6b15b6eddcc80c4f0ec7| magnet:?dn=Terrorism_-_Volker_Eick.ogg&xt=urn%3Asha1%3AI2DXHJREN7ASAISSHLRFH5PUSUWW36LJ http://tmsp.org/files/tmsp/torrents/Terrorism_-_Volker_Eick.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Embeded Journalism vs. Self-organized Multitude of Observation, Hans Bernhard (A/CH/USA) The current conflict situation in Kenya reflects once again a critical point in our retro-mass media society. The information from inside the country is not valid, the information going to the "world" is twisted to perversion through embedded journalism, dubious sources and combustion point monitoring. The conflict existed before and will exist after the mass media storm, the bloodshet happens within very limited boundaries is mapped on top of the country as a whole - and then broadcast to the world under the assumption of mass media without information. This problem is contraindicated and reflected through the project SLUM-TV - a counter-headlining empowerment of cultural selforganization. SLUM-TV documents the lives of the people in Mathare (500.000 people slum in Nairobi) and reevaluates these lives and their surroundings through the eye of the camera. The local partners film and document their own existence and the social, political and military aspects of living inside such a melting pot. The small movies (newsreels) are put together and broadcast in public places exclusively inside Mathare, reaching the local audience through a variety of self-established cinemas (pirate cinemas reaching very large audiences). Published online, the newsreels plus written reports reach the global audience. The presentation will briefly introduce SLUM-TV and will document the current situation in Kenya (Mathare-Slum) via the performance of texts written and blogged by local SLUM-TV members. 2008-01-31T01:42+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 39622685 00:19:15 Ogg Theora http://tmsp.org/v2v/show/YGS3HM6EC446LJOBDHHFMQ3MDW3PWMNR ed2k://|file|Retro-massmedia_shockwaves_-_Hans_Bernhard.ogg|39622685|2b2be107a7ca848509814f662f0faf73| magnet:?dn=Retro-massmedia_shockwaves_-_Hans_Bernhard.ogg&xt=urn%3Asha1%3AYGS3HM6EC446LJOBDHHFMQ3MDW3PWMNR http://tmsp.org/files/tmsp/torrents/Retro-massmedia_shockwaves_-_Hans_Bernhard.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Renaming Machine is a war concept that could be interpreted as a subtle but powerful strategy for erasing ethnic, cultural or gender identity without using any aggression or causing any direct material damage. It functions as a conceptual weapon of destruction, as a kind of wage war or a contest between the old and new identity layer. However, renaming simultaneously adds and multiplies a new layer of identity each time it erases one, because the names could be neither stolen nor completely erased: the best example of accumulation by dispossession in David Harvey’s terms. Moreover, according to Jacques Derrida giving names is also an act of love. RM attempts to point to the arbitrariness and contingency of representation that accompany the use of names and to raise the discussion about the invisible ideological patterns of “desiring renaming machine” standing behind the power regimes of representation while dispossessing and giving names. In my presentation I want to focus on the exploration of this clandestine ambivalence within the renaming as a juxtaposition of various identities. It is extremely important to reflect the complex entanglements of the political and cultural processes of renaming and the urgent need for questioning how these processes and patterns influenced the construction and destabilisation of national, cultural and personal identity during the last two decades within the Balkan region. I aim to encompass various art and cultural phenomena attached to renaming in order to explore the scale to which renaming affects visual culture and transgresses cultural identities and subjectivities in the Balkans. Renaming Machine was specifically motivated by the unique and absurd outwitting between Greece and Macedonia about the right to use the name “Macedonia.” This conflict resulted with exhausting processes of negotiations that still trouble the stability of the region. Regardless all paradoxes this “war of names” became an international precedent and the best example that names are overrated as identity insignia and “omen.” 2008-01-31T01:25+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 33250020 00:18:02 Ogg Theora http://tmsp.org/v2v/show/4OODSTAANDN3PHFA7PYK64AR4CJYSQKT ed2k://|file|Renaming_machine_-_Suzana_Milevska.ogg|33250020|e6087a1019f27c53b945eead9e32fc3b| magnet:?dn=Renaming_machine_-_Suzana_Milevska.ogg&xt=urn%3Asha1%3A4OODSTAANDN3PHFA7PYK64AR4CJYSQKT http://tmsp.org/files/tmsp/torrents/Renaming_machine_-_Suzana_Milevska.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Reconstruction will consist of screening of two videos: “A Reconstruction of an Unimportant Day in Our History” and “A Reconstruction of an Important Day in Our History”, by the artist. First video shows a day in a life of Josip Broz Tito during his stay in country side, in the castle. Castle is also known under the name of „Tito's Castle“. Tito as passionate hunter, often stayed in the Castle hunting wild animals, alone, with his wife Jovanka (who was as well passionate hunter) or with eminent foreign statesmen. Second video reconstructs the meeting of the two presidents: Croatian, Franjo Tuđman and Serbian, Slobodan Milošević. The meeting was held on April 15th, 1991 in Tikveš Castle. First armed conflicts broke out in the region of Slavonia in the beginning of May, 15 to 20 days after that meeting. War reached Tikveš in the beginning of June. For a period of time Castle was used as a headquarters of Arkan's paramilitary group. 2008-01-31T00:47+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 97256418 00:30:09 Ogg Theora http://tmsp.org/v2v/show/N33FE25CZWVJLLJ7GXMP5BBAQWQ3G72A ed2k://|file|Reconstruction_-_Andreja_Kuluncic.ogg|97256418|350f1165e7d409347f65542b76fb6fd3| magnet:?dn=Reconstruction_-_Andreja_Kuluncic.ogg&xt=urn%3Asha1%3AN33FE25CZWVJLLJ7GXMP5BBAQWQ3G72A http://tmsp.org/files/tmsp/torrents/Reconstruction_-_Andreja_Kuluncic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Politics, Activism and not at least performative potentials meet in the term “Posse“ as conflictive spaces of emancipatory wars against border- and bio-regimes. In their well known analyses of “Empire“ Antonio Negri and Michael Hardt describe “Posse“ from the latin term as a verb of power, an activity, which refers to the political power and subjectivity of the multitude: Posse is what a mind and a body can do. In a wider context the word also expresses in english the branding of a gang or clique, and in german it's also the theatre-term for a scetch or form of comedy. In the spectacular fields of staged WTO/WEF/G8 Summits, many protest forms of Activism develop techniques of resistance, using Media, Theatre, and Art-tools, and lots of performative and subversive “Posse-Actors“ can be found in the last years: like the Rebel Clown Army, PublixTheatreCaravan, Tutte Bianche, Pink Block, noborder-Activism etc. Their methods of acting provoced in special moments of summit-spectacles the governmental techniques of repressive (police-)representations. Performing Posses refer in this sense more to Slogans like „Another war is possible!“ (noborderlab2003). Their forms of „wargames“ link struggles of social movements with a post-Brechtian and “minor“-acting gestures together. 2008-01-31T00:22+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 27285017 00:12:46 Ogg Theora http://tmsp.org/v2v/show/3EAXW4DOXIWW45VERWJXG7HN3RY2CZ4D ed2k://|file|Perfoming_posses_-_Gini_Mueller.ogg|27285017|41e854ba5b601116af6c1d636b84ffe0| magnet:?dn=Perfoming_posses_-_Gini_Mueller.ogg&xt=urn%3Asha1%3A3EAXW4DOXIWW45VERWJXG7HN3RY2CZ4D http://tmsp.org/files/tmsp/torrents/Perfoming_posses_-_Gini_Mueller.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Screening of the inserts from Žilnik's movies: OLD TIMER (1988), TITO'S SECOND TIME AMONG THE SERBS (1994), EUROPE NEXT DOOR (2005) and WILD CAPITALISM (2008). Inserts are illustrating thesis how former Yugoslav political elite since the middle of the 1980s, after longterm conflict around Tito's inheritor and heritage, dismissed internationalism and self-management as axioms of the state's foundaments. Engineering of tribalizing of people was put in motion, together with ideology of nationalistic mythomanie and re-sentiments. In difference to the other former socialistic states, this enabled ten more years of plunder of the common goods, to the feudalized and comminuted governing elites of Yugoslavia. Newly produced class posses goods, but it ruined the state and economy, and the people are getting poor, unemployed, sick or leaving the country. New capitalists trends, especially through the example of Serbia, Macedonia, Bosnia and Montenegro, are bringing over again the spirit of fatalism to the Balkan, which reminds us to the last decades of reign of Ottoman Empire. Political and cultural discourse in Serbia is drowned in the Kosovo myth. It is substitution for both past and the future, including the real state. Does in 2008 political class teleports Serbia to year 1808? 2008-01-30T23:32+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 95512267 00:42:17 Ogg Theora http://tmsp.org/v2v/show/VXSXID7DGCICSKYFB6QIT272BESA7QZO ed2k://|file|Nacionalisticka_mitomanija_-_Zelimir_Zilnik.ogg|95512267|99a4c244d261910c147b1f2cb5383c85| magnet:?dn=Nacionalisticka_mitomanija_-_Zelimir_Zilnik.ogg&xt=urn%3Asha1%3AVXSXID7DGCICSKYFB6QIT272BESA7QZO http://tmsp.org/files/tmsp/torrents/Nacionalisticka_mitomanija_-_Zelimir_Zilnik.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Remotely contributed concept by Jovan Divjak, former general in the Bosnian army during the 1992-1995 Bosnian War. He was the highest ranking ethnic Serb in the army and one of its most educated and experienced officers. On April 8th, 1992, Divjak became Deputy Commander of BiH's Territorial Defense forces and a month later oversaw the defence of Sarajevo from a major JNA attack. In the video, he first explains that the reason why he can not be physically present at the DICTIONARY OF WAR is that government of Republika Srpska (Serbian territory in Bosnia) finds him, among ten other people, responsible for the events on May the 3rd 1992 in Sarajevo. He is found responsible by the government of Republika Srpska for deaths of the soldiers when the units of Territorial Defense of city of Sarajevo attacked one unit of JNA-Yugoslav army. Jovan Divjak talks about constant mythologization as a tool for hegemony of one nationality over the others, which according to him, could lead and led to a bloodshed. As Serb, he is strongly criticizing Serbian nationalism and hegemony in Bosnia, as well as Croatian and Bosnian attempts towardsmythologization. 2008-01-30T23:04+00:00 sr 2008 DICTIONARY OF WAR http://dictionaryofwar.org 33567690 00:20:30 Ogg Theora http://tmsp.org/v2v/show/S4C6UQQBTOV7XTHRI7XSOTSKJMCZ2QBM ed2k://|file|Na_tragu_mitologije_-_Jovan_Divjak.ogg|33567690|64dd70cd6d69012f02f3d9263b192d99| magnet:?dn=Na_tragu_mitologije_-_Jovan_Divjak.ogg&xt=urn%3Asha1%3AS4C6UQQBTOV7XTHRI7XSOTSKJMCZ2QBM http://tmsp.org/files/tmsp/torrents/Na_tragu_mitologije_-_Jovan_Divjak.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ghetto Ambient explores urban and rural environments frequently described as “non-places”. Expanding common definitions, which regards such places with limited presence of identity, social relations and history, this project is focusing on "places at the edge of the globalized world" (Spex), where silent and barely visible wars are fought: struggle for economical domination in the Barents (RUS/NO/FIN), new representations of (virtual) Jewishness in Crakovian district of Kazimierz (PL), housing struggle on the outskirts of Algiers (AL), abandoned agricultural and touristic resorts in the Judea desert (IL) and many other places. Meissner uses processed photographic material collected on various geographic locations dissecting it into fragments and re-arranging it to a highly dramatic fictional movie. Moving slowly from one geographic location to another, each sequence is build with “an acute sense of spatial composition and narrative structure which is drawing the listener into a captivating aural tale” (All Music). 2008-01-30T22:18+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 47829686 00:32:48 Ogg Theora http://tmsp.org/v2v/show/2WZVQPZVZ36NVOZTNWQPCT5B2NCS2HVE ed2k://|file|Ghetto_Ambient_-_Sebastian_Meissner.ogg|47829686|f421557c90840c91b43e0e5bc29dbfcd| magnet:?dn=Ghetto_Ambient_-_Sebastian_Meissner.ogg&xt=urn%3Asha1%3A2WZVQPZVZ36NVOZTNWQPCT5B2NCS2HVE http://tmsp.org/files/tmsp/torrents/Ghetto_Ambient_-_Sebastian_Meissner.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. “Man tries to satisfy his need for aggresion at the expense of his neighbour, to exploit his work without compensation, to use him sexually without his consent, to appropriate his goods, to humiliate him, to inflict suffering on him, to torture and kill him”. (Feud); To find the path of desire is to encounter on routethe bad character of the drives, settled at the heart of all subjects who have to recognise it. Who am I? “You are the waste that fails in the world through the devil's anus.” (Martin Luther); Radical forms of sublimation are attempts to confront and transform the bad character of the drives, salvation holds on by a thread. 2008-01-30T21:10+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 26477931 00:11:34 Ogg Theora http://tmsp.org/v2v/show/PYVVLALZHFN7C5P52Y7DLQCYF4NJMYTS ed2k://|file|Eating_Rawness_-_Jean_Matthee.ogg|26477931|9b7c1a4af6891657ecad40e73fff678f| magnet:?dn=Eating_Rawness_-_Jean_Matthee.ogg&xt=urn%3Asha1%3APYVVLALZHFN7C5P52Y7DLQCYF4NJMYTS http://tmsp.org/files/tmsp/torrents/Eating_Rawness_-_Jean_Matthee.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The war in Iraq, from 2003 to the present, is the first war covered by bloggers. Salam Pax caused a stir by reporting online the last months of the Sadam Hussein regime and the US invasion. During the short summer of media freedom (2003-2004) Iraqi weblogs popped up in great numbers. Four years later we find ourselves in midst of a pool of 'digital despair'. Most bloggers have left the country and report from Damascus, Amman or London. Humor and irony have vanished. Some became news professionals, others turned silent. How are modern communication technologies such a blogs used to express emotions about the loss and exile? The tragic condition of the Iraqi blogosphere is used as a case study to investigate blogs as online diaries. Rather than promoting 'citizen journalism', I analyse blogs as 'technologies of the self' (Foucault). 2008-01-30T20:40+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 77116628 00:38:44 Ogg Theora http://tmsp.org/v2v/show/MHWTPBKWYH3PAVDEQM5TDLEF2XML3BTI ed2k://|file|Digital_despair_-_Geert_Lovink.ogg|77116628|381774eeb3643b1fa69bbf6e3b821985| magnet:?dn=Digital_despair_-_Geert_Lovink.ogg&xt=urn%3Asha1%3AMHWTPBKWYH3PAVDEQM5TDLEF2XML3BTI http://tmsp.org/files/tmsp/torrents/Digital_despair_-_Geert_Lovink.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. After a period of relative normalisation, the politics within the Republic of Turkey has been drifted again into serious conflict. The rise of the governing party, which has its roots from the Islamic movement and which tries now to fuse cultural conservatism with rampant neo-liberalism, has disconcerted the established actors of the regime (army, bureaucracy and the urban bourgeoise) and the urban middle class in the West of the country which feels threatened by the heedless nouveau riche emerging from the conservative provinces. The looming threat of having another military coup was evaded by the landslide election victory of the governing party. The nationalist discourse recovered from the bitter defeat when the Kurdish separatist army decided to resume armed struggle and inflicted serious casualties to the Turkish army. Along the rise of the political tension, the contemporary art scene in Istanbul has experienced a considerable institutionalisation reinforced by the sudden interest of the most prominent bourgeois families and financial corporates into the field. The art practice which has defined itself trough anti-statist, anti-militarist and anti-nationalist stance encountered a bitter dilemma. A strand within these artists surrendered to the recuperative frameworks of the new institutions whereas another strand tried to radicalise it political edge, to the extent of deciding to switch occasionally into anonymous visual production. 2008-01-30T20:17+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 52647103 00:27:01 Ogg Theora http://tmsp.org/v2v/show/KZ7RR3NRSULU2APHL34QU5WAE6W2EJU4 ed2k://|file|Counter_imaging_-_Erden_Kosova.ogg|52647103|e24c0b21fbe4eb6f9f053aeb7b4bbc74| magnet:?dn=Counter_imaging_-_Erden_Kosova.ogg&xt=urn%3Asha1%3AKZ7RR3NRSULU2APHL34QU5WAE6W2EJU4 http://tmsp.org/files/tmsp/torrents/Counter_imaging_-_Erden_Kosova.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. The guided tour through an art-collection assembled in the period between 1986/7-1996/7, which is the period of the outset and ongoing of wars in Yugoslavia. How social and political agendas were absorbed or radiated through the process of selection - as seen in the content and concept of works. Which ideological and class positioning of the collectioner could generate motives, guide decisions or get blended into todays appearance of the collection. 2008-01-30T19:54+00:00 2008 DICTIONARY OF WAR http://dictionaryofwar.org 54624771 00:22:05 Ogg Theora http://tmsp.org/v2v/show/FEAFCHO344OKZNBBW3QNRGNMQBEY6NY3 ed2k://|file|Collection_-_Nebojsa_Milikic.ogg|54624771|9e5bd551f6b7ba6bfaa530bfbaf5ad70| magnet:?dn=Collection_-_Nebojsa_Milikic.ogg&xt=urn%3Asha1%3AFEAFCHO344OKZNBBW3QNRGNMQBEY6NY3 http://tmsp.org/files/tmsp/torrents/Collection_-_Nebojsa_Milikic.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "Collaboration" is a structure, where two or more people work together toward a shared aim―typically for an intellectual or cultural project that is creative in nature. Yet, "Collaboration" acquires a very negative meaning as referring to persons or a groups which help an occupier or enemy of their country. What are the benefits and dangers of cultural collaborative projects between Palestinians and Israelis when any kind of collaborative structure is acknowledged as collaboration with the enemy? 2008-01-30T19:33+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 52075254 00:28:33 Ogg Theora http://tmsp.org/v2v/show/VEWLJBV57KJ7ZJ654BVR6VLR6JRE5GIL ed2k://|file|Collaboration_-_Galit_Eilat.ogg|52075254|99e369f1dedeb30b21b536c59c13d54c| magnet:?dn=Collaboration_-_Galit_Eilat.ogg&xt=urn%3Asha1%3AVEWLJBV57KJ7ZJ654BVR6VLR6JRE5GIL http://tmsp.org/files/tmsp/torrents/Collaboration_-_Galit_Eilat.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Over the last fifteen years, many parts of the former Soviet Union have been devastated by civil war and other disruptive armed conflicts. Despite this glaring fact, it has often been stated that the break-up of the Soviet Union was a remarkably "bloodless" affair. In a major Russian city like Saint Petersburg, which has seemingly been far from the frontlines in any of these wars, the economic stagnation and chaotic political scene of the eighties and nineties have given way to what the city's current governor calls "aggressive development" and to an apparently well-fed political apathy amongst the previously engaged populace. Here, then, we see the exact opposite of anything resembling civil war -- a stable (albeit dull) civil peace. But what if this peace is, in fact, founded on a "quiet" civil war that has been going on for the past decade -- a war that in many ways has been just as devastating for the "losing" party as the hot civil wars fought in the former Soviet hinterlands? How can we delineate the frontline in this quiet civil war? How do we identify its victims? Its victors? How is it connected to the "real" wars in the former Soviet Union and former Yugoslavia? And what does it have to do with an American band called Beirut and an unhappy Russian girl named Masha? 2008-01-30T19:16+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 33089618 00:17:24 Ogg Theora http://tmsp.org/v2v/show/FT4VPDJSW3HSUBNMFSJLVZZJMRVXDN7S ed2k://|file|Civil_war_-_Thomas_Campbell.ogg|33089618|76c239d3d61094f120b26cbba7f1f62c| magnet:?dn=Civil_war_-_Thomas_Campbell.ogg&xt=urn%3Asha1%3AFT4VPDJSW3HSUBNMFSJLVZZJMRVXDN7S http://tmsp.org/files/tmsp/torrents/Civil_war_-_Thomas_Campbell.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. "The necessity of not having control over language, of being a foreigner in one's own tongue in order to draw speech to oneself and 'bring something incomprehensible into the world.'" I chose a quote of a quote as the exergue i would like to put in the beginning of the 5th edition of the "Dictionary of war". The exergue is taken from Deleuze and Guattari's "Mille Plateux" but itself it is quoting the german poet, dramatist and writer Heinrich von Kleist: It is a close reading of Kleists famous text "On the Gradual Formation of Ideas in Speech" ("Über die allmächliche Verfertigung der Gedanken beim Reden"), in which Kleist denounces the central interiority of the concept as a means of control--the control of speech, of language, but also of affects, circumstances and even chance. 2008-01-30T18:51+00:00 en 2008 DICTIONARY OF WAR http://dictionaryofwar.org 37864205 00:16:47 Ogg Theora http://tmsp.org/v2v/show/OV2D6QG3YIOUFCNIP3LYUNEZATBQINRO ed2k://|file|Exergue5_-_Florian_Schneider.ogg|37864205|84115020dce2ec7a1ee8125be328654b| magnet:?dn=Exergue5_-_Florian_Schneider.ogg&xt=urn%3Asha1%3AOV2D6QG3YIOUFCNIP3LYUNEZATBQINRO http://tmsp.org/files/tmsp/torrents/Exergue5_-_Florian_Schneider.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Impressions from the blockade against the G8 in Börgerende-Rethwisch that took place on June 6th 2007 near Rostock (Germany). In the video an activist explains the tactic and the course of action of the blockade (in german). 2008-01-03T18:31+00:00 de 2007 KEIN.TV multitude@kein.org http://kein.tv 60209088 00:07:52 Ogg Theora http://tmsp.org/v2v/show/WAN5EMW2H4BBKBXO4APPKMMOIM3BZXOQ ed2k://|file|blockg8_voice.ogg|60209088|8194f532e3539233cd0608bb2e94d7a8| magnet:?dn=blockg8_voice.ogg&xt=urn%3Asha1%3AWAN5EMW2H4BBKBXO4APPKMMOIM3BZXOQ http://tmsp.org/files/tmsp/torrents/blockg8_voice.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. How far can you go within a genre called Exploitation? Stephanie Rothman, known as the first women director in the Roger Corman Clan, talks about the thin lines between MPAA standards, exploitation standards of sex and nudity and her own political visions and aesthetical ambitions. 2007-12-08T02:35+00:00 en 2007 kein.tv info@missingimage.com http://missingimage.com 40443358 00:20:10 Ogg Theora http://tmsp.org/v2v/show/RSYEEHZ2YRIFBXQG5ZKX663IXFAMZXT3 ed2k://|file|stephanie_rothman.ogg|40443358|e68158836603f799f7233816cdb686ea| magnet:?dn=stephanie_rothman.ogg&xt=urn%3Asha1%3ARSYEEHZ2YRIFBXQG5ZKX663IXFAMZXT3 http://tmsp.org/files/tmsp/torrents/stephanie_rothman.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Two different approaches to film-making and -production: a retrospective view on Hollywood and its B-pictures and a current perspective on independent structures - a dialogue between Stephanie Rothman and Nina Menkes, invited by Viennale 07. But as different as the cinematographic structures, chosen by the directors, may be, there is some important mutual ground for Rothman and Menkes: the strive to communicate feminist ideas. 2007-12-08T01:44+00:00 en 2007 kein.tv info@missingimage.com http://www.missingimage.com 98461990 00:43:40 Ogg Theora http://tmsp.org/v2v/show/BTZBVXQQWFKMJ4IDNRGJUEZIIW2OIQY6 ed2k://|file|rothman_menkes.ogg|98461990|6812430abacd87f136c01127fcefd4aa| magnet:?dn=rothman_menkes.ogg&xt=urn%3Asha1%3ABTZBVXQQWFKMJ4IDNRGJUEZIIW2OIQY6 http://tmsp.org/files/tmsp/torrents/rothman_menkes.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. What does it mean to work in the porn industry and what difference does it make if a women wrote the script and stands behind the camera? A panel discussion during the 2.Porn Filmfestival in Berlin with Erika Lust (Barcelona), Jennifer Lynn (Melbourne/Berlin), Julia Ostertag (Berlin), Ovidie (Paris), Petra Joy (Brighton) and Audacia Ray (New York). 2007-12-08T00:07+00:00 en 2007 kein.tv info@kein.tv http://kein.tv 227963255 01:09:03 Ogg Theora http://tmsp.org/v2v/show/T4SNKZPEES7INLWAFPD2LX37QDZO2YOB ed2k://|file|berlin_porn.ogg|227963255|1a0af4fed3ecf854a6ff3e29c53c3e3a| magnet:?dn=berlin_porn.ogg&xt=urn%3Asha1%3AT4SNKZPEES7INLWAFPD2LX37QDZO2YOB http://tmsp.org/files/tmsp/torrents/berlin_porn.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. In the age of digital reproduction, the problem of the “small author” remains: as the problem of the Intellectual Proprietor and his or her material reproduction, but also, and more importantly, as a problem of a specific political mentality. Among the many possible modes of production and subjectivation, the figure of the “small author” - who is always already deprived from the fruits of his hard labor, either by “the industry” or by “the pirates” - may be the most unfortunate one. But for the masses who know that they will never be part of a thriving global middle class of Intellectual Proprietors, there are other options. Not to entrench themselves against technological progress, but to radically embrace it: to explore new forms of collaboration and production beyond traditional authorship, to employ the most advanced methods of digital reproduction, and to reaffirm the instability of property relations. 2007-11-07T01:08+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 853077241 01:48:42 Ogg Theora http://tmsp.org/v2v/show/K2VCUPL6NRBXPH4TLKN4ODI5DJRWTQ4F ed2k://|file|Oil21_The_Poverty_of_the_Small_Author.ogg|853077241|4c93e3dbbe81846206996ec3ea69d076| magnet:?dn=Oil21_The_Poverty_of_the_Small_Author.ogg&xt=urn%3Asha1%3AK2VCUPL6NRBXPH4TLKN4ODI5DJRWTQ4F http://tmsp.org/files/tmsp/torrents/Oil21_The_Poverty_of_the_Small_Author.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Current debates about Intellectual Property are often focused on the level of national law - and the need for its international harmonization - and the sphere of universal rights, like freedom of speech or access to information and medicine. Still, neither the vision of globalized law nor the desire for universal human rights seem to do justice to the facts on the ground, to the specific nature of the contained and often local Intellectual Property conflicts in everyday life. These conflicts are, essentially, cases: not so much applications of universal principles or denials of abstract rights, but rather particular and often unique constellations of power. Strategies for interventions in the field of Intellectual Property may have to acknowledge that they can only operate case by case. 2007-11-06T23:01+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 865559096 01:53:31 Ogg Theora http://tmsp.org/v2v/show/CXA25CBE5HUTHTMXQNB5QNBMMFNW6LI4 ed2k://|file|Oil21_Keep_Up_Your_Rights,_Case_by_Case.ogg|865559096|662930591bb830af63a066bfabfa5b1a| magnet:?dn=Oil21_Keep_Up_Your_Rights%2C_Case_by_Case.ogg&xt=urn%3Asha1%3ACXA25CBE5HUTHTMXQNB5QNBMMFNW6LI4 http://tmsp.org/files/tmsp/torrents/Oil21_Keep_Up_Your_Rights,_Case_by_Case.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Peer-to-peer networks are here to stay. Often dismissed as a mere conspiracy of teenage consumers against the media industry, these networks have become one of the most powerful and resilient environments for the collaborative production and reproduction of cultural data. Thus it seems that the question of file-sharing is no longer just a matter of identifying and routing around its corporate adversaries. Instead, it is becoming a question of organization. One can already make out a multitude of new initiatives, groups, alliances, coalitions and business entities that are heavily - and not only ideologically - invested in the future of peer-to-peer protocols and infrastructure. The next Culture Industry may already be in the making. 2007-11-06T21:00+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 969936111 01:45:56 Ogg Theora http://tmsp.org/v2v/show/RBY6YIJXVBWWUM2PQVS6XVTEBVBQBWMS ed2k://|file|Oil21_File-Sharing_as_Culture_Industry.ogg|969936111|473b0c7b98a25269b35778adc44f623d| magnet:?dn=Oil21_File-Sharing_as_Culture_Industry.ogg&xt=urn%3Asha1%3ARBY6YIJXVBWWUM2PQVS6XVTEBVBQBWMS http://tmsp.org/files/tmsp/torrents/Oil21_File-Sharing_as_Culture_Industry.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Digital Rights Management (DRM) not only a proposes a set of new technological measures against unauthorized copying. It also promotes, on a conceptual level, an idea of individual rights that are no longer declared or granted, but  instead directly implemented as  the functionality - or the defects - of technology. Rights Management in general appears to be one of the  most far-reaching new paradigms of control. The field of rights that it promises to manage stretches far beyond the Intellectual Property of the entertainment industry. In its most general form, Digital Rights Management will lead to Political Rights Management: an entirely new framework for various forms of hidden access restrictions and censorship in an increasingly networked world. 2007-11-06T19:57+00:00 en 2007 The Oil of the 21st Century oil21@oil21.org http://oil21.org 518237485 01:02:04 Ogg Theora http://tmsp.org/v2v/show/5GGISIRNP5GEMCYYL3SGAIEXZJYS4BUW ed2k://|file|Oil21_General_Rights_Management.ogg|518237485|859c6c2cecde5aab22a19be57b4ec9a5| magnet:?dn=Oil21_General_Rights_Management.ogg&xt=urn%3Asha1%3A5GGISIRNP5GEMCYYL3SGAIEXZJYS4BUW http://tmsp.org/files/tmsp/torrents/Oil21_General_Rights_Management.torrent This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ob durch neue Kameras oder dauerhafte Speicherung von Telefondaten, ob sichtbar oder im Verborgenen: Immer mehr Informationen über den Einzelnen werden gesammelt, gespeichert und verknüpft. Alles zur Sicherheit der Bürger und zum Vorteil der Konsumenten? Vollzieht sich ein Wandel im Umgang mit Informationen in der digitalen Welt oder ist es bereits der Weg in den Überwachungsstaat? Spurensuche in Deutschland - ein Video-Feature in vier Teilen. Hunderttausende öffentliche und private Kameras sind in Deutschland installiert. Doch die Forderung nach mehr Videoüberwachung reißt nicht ab. Manche erhoffen sich davon mehr Sicherheit, andere warnen vor der Überwachung - zum Beispiel in Leipzig. Dort setzt die Polizei seit langem auf Kameras. Wer mit wem telefoniert, wo sich Handy-Besitzer aufhalten, jeder Internet-Abruf: Künftig sollen in der EU Kommunikationsdaten in ungeheurem Ausmaß gespeichert werden, zum Schutz vor Terroristen. "Die Bevölkerung wird unter Generalverdacht gestellt", meinen Datenschützer. Peter Strehmel hat schon erfahren, wie sich das anfühlt. Vom Supermarkt-Etikett über das WM-Ticket bis zum Reisepass: In immer mehr Gegenständen stecken winzige Funkchips. Die Industrie verspricht sich von der RFID-Technik billigere Logistik und ihren Kunden individuellere Dienstleistungen. Skeptiker reden dagegen von "Schnüffelchips?. Ob durch Überwachungskameras an der Tankstelle, beim Surfen im Internet oder beim Bezahlen mit einer Treuekarte: Freiwillig oder unfreiwillig hinterlässt jeder Spuren. 44 min. 2007-10-30T01:45+00:00 de 2007 Fiete Stegers, Roman Mischel http://www.r73.net/ 342545378 00:00:00 Ogg Theora http://tmsp.org/v2v/show/C35OYZPPGTGG4WNJBS44CAZVGCIBEPAI ed2k://|file|alltag.ogg|342545378|405ae1bf414a19341c766226d2fd4cf1| magnet:?dn=alltag.ogg&xt=urn%3Asha1%3AC35OYZPPGTGG4WNJBS44CAZVGCIBEPAI http://tmsp.org/files/tmsp/torrents/alltag.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Liebevolle Star Wars-Parodie zum Thema Bioernährung kontra Ernährung mit Lebensmitteln aus industrieller Massenproduktion. Von den MacherInnen von The Meatrix. 2007-10-29T00:48+00:00 en 2005 Louis Fox http://www.storewars.org 10042033 00:00:00 Ogg Theora http://tmsp.org/v2v/show/Q7XYFCTQMOT572GG2CTVLJ2WD45DCZ72 ed2k://|file|StoreWars_v2v.ogg|10042033|159e58265c9d663e3defe9fabfc8ee0c| magnet:?dn=StoreWars_v2v.ogg&xt=urn%3Asha1%3AQ7XYFCTQMOT572GG2CTVLJ2WD45DCZ72 http://tmsp.org/files/tmsp/torrents/StoreWars_v2v.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. GET CREATIVE, being the origin and adventures of the creative commons licensing project. 2007-10-29T00:10+00:00 en 2005 Creative Commons Campaign http:// 20635468 00:00:00 Ogg Theora http://tmsp.org/v2v/show/RKK7QO5QZTEJCEYBJZFQA3RC6G3YPXJ3 ed2k://|file|GetCreative.ogg|20635468|68594022c4616e48eb3a1fd1ffbd15a1| magnet:?dn=GetCreative.ogg&xt=urn%3Asha1%3ARKK7QO5QZTEJCEYBJZFQA3RC6G3YPXJ3 http://tmsp.org/files/tmsp/torrents/GetCreative.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Ein Tag in New Orleans, ein Jahr nach Katrina. Ergreifende Bilder zeichnen die Folgen des Wirbelsturms nach. Zu Wort kommt die Arbeit der NGO „Common Grounds collective“, die sich gegen die Beschlagnahmung von Häusern in vorwiegend von Afro-AmerikanerInnen bewohnten Vierteln wendet. www.droppingknowledge.org 2007-10-28T23:50+00:00 en 2006 Ralf Schmerberg http:// 220853958 00:00:00 Ogg Theora http://tmsp.org/v2v/show/VVIG6NWD27X2C74JQ37LESOIV25IQGVE ed2k://|file|choclate.ogg|220853958|625efae5f1cfeb43ed4acf5975366d41| magnet:?dn=choclate.ogg&xt=urn%3Asha1%3AVVIG6NWD27X2C74JQ37LESOIV25IQGVE http://tmsp.org/files/tmsp/torrents/choclate.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Die Dokumentation des Protest- und Workshopcamps in Sichtweite des größten Kohlekraftwerks „Drax“ in Großbritannien ist gespickt mit einprägsamen Bildern und erklärenden Interviews zum Klimawandel. Vor allem der CO2-Ausstoß der nördlichen Welt wird in seinen verheerenden sozialen und ökologischen Folgen durch AktivistInnen und ExpertInnen erläutert. Das 10-tägige Camp findet seinen Höhepunkt in der Stilllegung von Drax für einen Tag. Der Film will dazu anregen, in den nächsten Jahren in ganz Europa Klimacamps zu inszenieren: Globale Perspektive – Aufklärung – lokale Aktion. 2007-10-28T02:49+00:00 en 2007 cinerebelde http:// 488012850 00:00:00 Ogg Theora http://tmsp.org/v2v/show/KSFKWEPPXTLWQR6AJH3AUC46GFMVASWL ed2k://|file|reclaim.ogg|488012850|a5852a6146591fd21ca3f8f3d9a5bd48| magnet:?dn=reclaim.ogg&xt=urn%3Asha1%3AKSFKWEPPXTLWQR6AJH3AUC46GFMVASWL http://tmsp.org/files/tmsp/torrents/reclaim.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. 1984: Durch einen Giftgasunfall in der Chemiefabrik von Union Carbide in Bhopal, Indien, starben unmittelbar 5000 Personen. Weitere 15.000 in den darauf folgenden zwei Jahrzehnten. Seitdem benötigen ca. 120.000 Bhopalis lebenslang medizinische Behandlung. Dow Chemical kaufte 2001 Union Carbide auf, zahlte jedem Opfer einmalig 500 US$ und meinte damit, seine Schuldigkeit getan zu haben. Zum 20. Jahrestag der Katastrophe kontaktierte ein BBC-Reporter den Konzern über DowEthics.com. Er ahnte nicht, dass die Website ein Fake der Yes Men war. So kam der angebliche Sprecher von Dow, Jude Finisterra („Ende der Welt“), auf BBC World TV zum Einsatz. Und endlich sagte jemand die Wahrheit... 2007-10-24T02:09+00:00 en 2005 Yes Men http://theyesmen.org/hijinks/dow/ 111276211 00:00:00 Ogg Theora http://tmsp.org/v2v/show/N6LIEBEFBDIFRJ33XRPCCBGWK6GWBCQX ed2k://|file|dowHoux.ogg|111276211|d856045dd0fc65704ac125641f5c60e7| magnet:?dn=dowHoux.ogg&xt=urn%3Asha1%3AN6LIEBEFBDIFRJ33XRPCCBGWK6GWBCQX http://tmsp.org/files/tmsp/torrents/dowHoux.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Justin Cone created a short, succinct “commercial” that demonstrates what Creative Commons is, and how it works, in a slick package. 2007-10-23T20:27+00:00 en 2003 Justin Cone http:// 11254832 00:00:00 Ogg Theora http://tmsp.org/v2v/show/UBMVV7JPKIFZWUIZKBNUYUDHPAEELJUB ed2k://|file|BuildingOnThePast.ogg|11254832|e0e3855adba2ae3fd16db1f7beab16f6| magnet:?dn=BuildingOnThePast.ogg&xt=urn%3Asha1%3AUBMVV7JPKIFZWUIZKBNUYUDHPAEELJUB http://tmsp.org/files/tmsp/torrents/BuildingOnThePast.torrent This work is licensed under the Creative Commons Attribution-ShareAlike 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/2.5/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. Am Freitag, den 5.Oktober 2007 fuhren 100 Streikende aus Haldensleben nach Hamburg, um ihre dort streikenden KollegInnen zu besuchen und zu unterstützen. Dieser Besuch ist der erste dieser Art, eine andere Gelegenheit der Arbeiterinnen und Arbeiter der beiden Standorte sich kennenzulernen, gab es noch nicht. Die Stimmung ist euphorisch, nur geht weder Otto noch Hermes Warehousing Solutions bislang auf die Streikenden zu - der Kampf geht weiter. 2007-10-09T15:48+00:00 de 2007 kein.tv